- #Tmpgenc authoring works 6 templates download software#
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Very dependent on what is happening in videoĩ MPEG-1 Video Frame Rate fps (NTSC) PAR: Normally anamorphic (non-square) pixel If you deliver square pixel, use 640x480 aspect ratio Use Constant Rate Control Progressive only (interlaced not available) Open GOP, with frames per GOP Rule of thumb for MPEG-1/2 0.5 sec per keyframe Use System Stream file format.mpg file extension Can be encoded as HD video with an appropriate video bitrateġ0 MPEG-1 Audio Codec: MPEG-1 Layer II Use 44.1 KHz, 16 bits to improve compatibility with older players Use 48.0 KHz, 16 bits if clips may end up being reencoded to a DVD-Video for trial or deliverable If audio out of sync with video, change sample rate.
#Tmpgenc authoring works 6 templates download software#
It may or may not work Do not offer with WestLaw software users not supported Some videographers encode large size video at 1200 kbps. 48 khz Bit Depth 12, 16, 24 bits Channels Data RateĦ Typical Legal Video Deliverables MPEG-1 MPEG-2 DVD-Video MPEG-4 Add videosynced to all deliverables, but not by all engines All can be delivered in standard or wide screen display aspect ratio Standard definition 4:3 remains the dominant deliverable for depositions Any MPEG codec can be delivered as HD DVD-Video does not support HDħ MPEG-1 Video Basic specs 352x240 non-square pixel progressive scan Bitrate: 800 to 1200 Kbps YesLaw: 600 to 1500 Kbps Livenote recommends 1200 Kbps Normal bitrate target is 1150 Kbps Lower bitrates can work with lower motion subjects like depositions 600 Kbps does not look good blown up on a screenĨ MPEG-1 Video Better product NTSC 720x480, anamorphic pixel Bitrate: 1725 to 3500 Kbps 3500 Kbps recommended by indata» indata White Paper Advanced Video Deposition Support for Videographers 2800 to 3200 Kbps recommended by speaker Results in nice looking source that can run on any computer Can be exported by indata, YesLaw clip creation applications Don t use to make YesLaw DVD. Progressive GOP (Group of Pictures) Profiles and Levels Frames per Second Audio Specifications Codec Sample Rate 44.1 v. Frame Size Pixel Aspect Ratio (PAR) Bitrate Rate Control Variable v.
#Tmpgenc authoring works 6 templates download professional#
Balmer, MBA, CIRM, CLVS, CCVS August 5, 2016Ģ References Advanced Video Deposition Support for Videographers, Thomas Lorenzen, indata Corporation, October 2007 Compression for Great Video and Audio Master Tips and Common Sense, Second Edition, Ben Waggoner, Focal Press, 2010 Digital Video Fundamentals, Aldo Cugnini and Alan Cavallerano, Broadcast Engineering, 2011 MPEG-4, Utilizing New Video Formats, Thomas Lorenzen, indata Corporation, January 2012 TMPGEnc Tutorial, John Garnett, YesLaw, 2012 Time for a Tuneup, Jan Ozer, Streaming Media, January/February 2014 Color Correction Handbook Professional Techniques for Video - Second Edition, Alexis Van Hurkman, Peachpit Press, 2014ģ What is Typically Captured? Production House Digital Deliverables DVD-VIDEO (Captured Live on Recorder) MPEG-2 file with settings that mimic or are similar to a standard play (SP) DVD Captured digital assets (less often) AVCHD MPEG-2 TS DV25 in an AVI-T2 wrapper MPEG-4 H.264/MPEG-4Ĥ What is Typically Delivered? Typical End User Digital Deliverable DVD-Video MPEG-1 352x x480 Anamorphic Pixel MPEG-2 file with very specific settings 720x480 Anamorphic Pixel H.264 MPEG-4 (for ipad) 640x480 Square Pixel 1280x720p Square Pixel Videosynced versions of the aboveĥ What s Important? Video Specifications Display Aspect Ratio (DAR) a.k.a. 1 TMPGEnc Video Mastering Works 6 Bruce D.
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